Results :: Individual ETD
Title: The split-screen aesthetic: connecting meaning between fragmented frames
Creator: Ingrassia, Peter Matthew
Description: The split-screen is a multi-frame technique used in film, television and video. Recent advances in digital technology make it easier to incorporate the fragmented frame into visual narrative strategies. I argue that properties inherent to the split-screen technique (including simultaneity, symmetry, visual irony, omniscient view and visual style) also emerge as attributes of a split-screen aesthetic. The split-screen aesthetic transforms a technical contrivance that has long provided an alternative to parallel editing, into a powerful narrative tool that facilitates the construction of visual stories in a spatial context. I trace the history of the use of split-screen by describing its function in selected visual works, including a medieval triptych painting, a 20th Century art installation, two films and a contemporary television program. A close analysis of a dual-screen video art installation helps characterize elements of the cinematic split-screen aesthetic. I also provide an account of the application of a split-screen design in my own experimental short video. As multi-screen formats continue to evolve, they invoke the split-screen aesthetic to shape the stories emerging from new spaces.
Location: http://etd.lib.montana.edu/etd/2009/ingrassia/IngrassiaP0809.pdf
Document Type: Masters
Contributor: Aig, Dennis (committee chairperson)
Committee Members: Simon Dixon, Walter Metz
Department: Film & Photography
Publisher: Montana State University
Date Created: 2009-08-15
Access Rights: Accessible under copyright for educational purposes.